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The beauty of Tom King, Gabriel Hernandez Walta and Jordie Bellaire’s VISION continues to inspire and impress. Though the series launched about two years ago, the six-issue VISION DIRECTOR’S CUT limited series will remind existing readers of that goodness while also bringing in new fans. Each DIRECTOR’S CUT issue features two of the original books, plus plenty of in-depth, behind-the-scenes info.
Last month we talked with Walta about bringing the story to life and now we’re chatting up Bellaire about building a color scheme that not only went a bold new direction, but also made reference to the past while taking intriguing twists and turns, especially during flashbacks.
Marvel.com: Classic Vision has this bright, bold color scheme. I want to say that the version in VISION is more muted and deep, but am not sure if that’s the right terminology! How would you compare the two palettes?
Jordie Bellaire: I think Vision’s newest look is dictated mostly by Gabriel Walta’s beautiful use of washes combined with new creative technology for more understated and subtle coloring in programs like Photoshop. As a team, we weren’t...